GSFF is back with a programme including films from the Gaza Film Unit, a spotlight on Indonesian filmmaker Riar Rizaldi, and ...

Twenty-five years after its UK release, Being John Malkovich offers a prescient look at celebrity, parasocial relationships, ...

The Dutch collective continue their upward trajectory with a casual ease that only hints at the intricacy underneath.

Fringe by the Sea will bring French duo Air to North Berwick this August to recreate their classic 1998 album Moon Safari ...

After Seventeen Going Under skyrocketed him into stardom, Sam Fender releases his long-awaited third album, People Watching.

One writer explores the companionship he's found in Baths' music over the years, catching up with Will Wiesenfeld to discuss new record Gut and queer acceptance.

In this surrealist fable, a half-human, half-mosquito boy encapsulates themes of climate catastrophe, hybridity and ...

This new take on Mary Poppins brings an irresistible blend of innovative staging, excellent performances and classic songs.

Colin Self is back with their grandest, most ambitious record yet – it's somewhat uneven, but when it hits, it feels truly ...

Vera Drew, director of supervillain satire The People's Joker, has united hundreds of artists in the crossover event of the ...

Vera Drew's bold, powerful and wildly inventive film follows a plucky trans kid from Smallville trying to make it big on ...

Horror, the third full length from Bartees Strange, is a collection of songs that encapsulate what fear means and how it can be processed. Sonically, it's extremely varied, but not at all to its ...