The slightly overwrought subtitle gives a good indication how computer enthusiast Sam Arbesman treats his subject. Software, ...

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore ...

It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the ...

Marina Diamandis is a proper pop star, brilliantly full-on, off on her own thing. The Welsh singer is primarily known for ...

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in pictures ...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the ...

The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, ...

In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and ...

Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should ...

If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in recent years have involved Brahms, a composer I love more ...

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to ...